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The Turkmen people of Central Asia and Iran are revered for their carpets and textiles. Less well known, but equally stunning, is the extraordinary silver jewelry created by Turkmen tribal craftsmen and urban silversmiths throughout the 19th and early 20th centuries. This catalogue presents nearly two hundred pieces in glorious detail, ranging from crowns and headdresses to armbands and rings, and featuring accents of carnelian, turquoise, and other stones.
Characterized by elegant form, geometric shapes, and delicate openwork, Turkmen jewelry has typically been viewed through an ethnographic rather than an aesthetic lens. By highlighting these objects—which come from one of the most significant private collections of Turkmen ornaments in the world—and placing them in the larger context of Islamic art, this groundbreaking publication elevates the vibrant, monumental pieces from folk art to fine art.
- Sales Rank: #1052200 in Books
- Published on: 2011-06-28
- Original language: English
- Number of items: 1
- Dimensions: 12.10" h x 1.10" w x 9.20" l, 3.95 pounds
- Binding: Hardcover
- 264 pages
Review
“[I]mpressive… weighty… captures the splendor and scale of the ornamentation.”—Huffington Post (Huffington Post)
Finalist for the 2011 ForeWord Book of the Year Award in the Art category (Book of the Year Award Finalist ForeWord Magazine)
About the Author
Layla S. Diba is an Islamic art expert, who was director of the Negarestan Museum, Tehran, and a curator at the Brooklyn Museum.
Most helpful customer reviews
20 of 20 people found the following review helpful.
A book likely to mislead more than help
By Joost Daalder
Of the reviews so far published on Amazon, only the one which gives this book no more than one star seems to me to hit the nail on the head, though possibly two stars might also have been defensible. The major trouble with the book is that a vast number of pieces in the book were produced for sale in recent times - almost always to tourists or foreign "amateur" buyers - while the general purpose is to make us believe that we are looking at traditional old pieces. That, by itself, is a very bad practice, even if the misjudgements spring from ignorance rather than a wish to mislead. The fact that the Met is associated with the publication makes it potentially the more harmful: at this rate fewer and fewer people will be able to make proper distinctions between old, authentic pieces used within the cultures where they were made, and new ones professedly the same, but in fact entirely different in structure, design, meaning etc and thus doomed to give a false notion of what has been a great tradition of jewellery-making. The question is not whether the modern pieces are beautiful, but whether they are correctly described, and as such this book should not have been published in its present form. Reviewers and those commenting in correspondence and websites outside Amazon have also draw attention to this book's failings, but I write this as so far on Amazon only one other reviewer seems to me to have identified what is wrong with this book.
13 of 14 people found the following review helpful.
the MET's new clothing
By tsongpada
This book is a tremendous embarrassment to the MET's reputation for authoritative scholarly publications. There are plenty of primary resources about Central Asian and Turkmen jewelry. Dieter and Reinhold Schletzer's "Old Silver Jewelry of the Turkoman" is an excellent one for starters, (and has been translated and published in English).
The examples illustrated in this book are overwhelmingly of dubious authenticity and age.Describing something as "20th Century" is a euphemism for " quite new, last 20 years". Many of the pieces are fantasy productions created for unwitting buyers and were never used or intended for use by actual Turkmen. Real Turkmen pendants for example are never 2 sided, the backs ( undisplayed) were left very simple and unadorned.The use of 'resin'(plastic) inlays is quite flagrantly not authentic. There are other obvious misidentifications such as European pressed glass described as "carnelian"- simple naked eye inspections yield this, no special science is needed.
This book is going to generate a fierce amount of criticism among knowledgeable specialists and can be dismissed as a vanity publication of very little scholarly worth.
8 of 9 people found the following review helpful.
A well illustrated book
By Topdog
This book on Turkmen jewelry is very well illustrated but is lacking some new research especially about the making of the jewelry. The dating of most of the pieces is very general and is given as late 19th early 20th, but some pieces look to me quite late in the 20th cent. if not even done for the antiquarian market. This impression is confirmed by another review of somebody more experienced than me on the subject. In the book there are no picture of contemporary Turkmen women wearing jewelry and few historical images, some already published in the past in other books.
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