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• Original language: German
• Dimensions: 12.99" h x 1.69" w x 9.65" l,
• Binding: Hardcover

Most helpful customer reviews

151 of 154 people found the following review helpful.
The answer to whether you should double dip if you have the 75 Years book
By Modrnknght
First, a few words about the previous Paul Levitz book, "75 Years of DC Comics." Those of us who have purchased it know that it is a humongous book that you need a forklift to pick up. In its 12 x 16" size and almost 20 pounds, a solid coffee table was needed to support it. The book, as the title suggested, covered the entire history of DC Comics...and was very expensive.

Now, Taschen Publishing has issued a smaller book based on the previous unwieldy book. As a matter of fact, they are releasing five separate volumes, each pulling material from the 75 Years book, and each highlighting a distinctive historical age in comic books. The first release is this one, devoted to - as the title suggests - The Golden Age of DC Comics, an era ending in 1955, when the Silver age was born.

The first thing you will notice when you compare the 75 Years book to this more recent one is the 75 Years book looks like that muscular bully next to the skinny kid in those old Charles Atlas ads that ran in comics. That's not to say that the new book isn't a respectable size in its own right. It measures 9" x 12" and what intrigued me was the fact that it is listed as 400+ pages devoted to just the Golden Age of DC comics. The original 75 years book covered the origins and Golden age of DC in 239 pages... so, the thought of an additional 200 pages to a DC fan was sheer heaven. Prior to ordering this more recent book, I had read interviews that Levitz gave where he said the difference would be more illustrations than before.

Like many of you, I wondered if it would be worth a double dip. I decided to take a chance and purchased it. I have just completed a side-by-side comparison that took several hours. I hope that the following review will help you decide.

The $60 price tag on the Golden Age of DC Comics is heftier than it should be. However, Amazon's price of approximately $35 is just about right. It's a really good-looking book on its own and it fits nicely on your lap while you are reading it. It is filled with illustrations from DC comics of the time period and, in that sense, it fulfills its purpose to someone who hasn't purchased the 75 Years of DC Comics book. But, for those who have, I want to point out what has changed...and where it is better, the same, and worse.

When you open the Golden Age book, the first section you come across is an interview with artist Joe Kubert. This is a nice new addition that runs seven pages. What follows it is a reworking of the 75 Years book. And I do mean a reworking! I thought it would be relatively easy to do a side-by-side comparison because at first glance it does look like the 75 Years in layout. However, it only takes a few pages into the new book to realize that it does not follow page by page. For the new volume -- and I say new only in terms of publication date -- they have moved illustrations all over the place. Through all that, difficult as it was, I still did a comparison of the two books to see how many new pictures have been added. Doing so, the first thing I noticed is that there hasn't been actually approximately 200 new pages of illustrations added... but, rather, it is more a case of re-using pictures from the first book but oftentimes enlarging them to fit a full page. In certain cases, this works because some of the items were postage-stamp sized pictures in the first book, and now can be seen in much bigger and clearer detail. However, there are some that were large in the first book that it now been shrunk down. Some of the ones that were enlarged I have to question why? One splash page of a Batman story which was just one of several illustrations on a page in the 75 Years book has now been increased to cover two full pages in the Golden Age book. Why?

A comparison by the way of the front and back covers of the 75 Years book shows they have been alternated for the Golden age book. Where Superman was on the front cover and Batman on the back is now reversed for the Golden age book.

One thing I did notice right away from glancing at the text in the opening chapter of the Golden age book is that several paragraphs have been eliminated from the 75 Years. Other text has been trimmed or slightly revised. So, too, a number of illustrations from 75 Years have been cut down to show a panel or two, as opposed to several panels of a comic page in the original book. It is true that the new book sometimes will expand a little bit on panels, but more often than not we are seeing less in the new book than the original. Also gone are the fold out timetables and the glossy gold-colored pages saying "Golden Age of Comics".

(A quick note: both books take time out to salute major talents in the comic book field of the 1930s, 1940s and early 1950s. Please know, I hold masters like Will Eisner and Jack Cole in the highest regards, but the pages here illustrate the Spirit and Plastic Man, respectively, neither of which were produced by DC comics in the 1940s. Yes, they work with these characters now, but I truly feel that these books should be representative of the actual time period for DC comics. I feel the same way about the inclusion of EC comics in both volumes. In my opinion, they just don't belong.)

Now let's look at what has been added to the Golden Age book. From my account, there are approximately 120 new illustrations. Not 120 pages of new illustrations... just 120 additional pictures. Do these make it worthwhile for of someone who has the 75 Years book to buy the Golden Age? If the panels, covers, and photos were a significant addition, I would've said yes. But, for the most part, these are run-of-the-mill that add nothing. The best was in the original.

I do think that possibly with all five of the new volumes sitting on your shelf, it will make a very nice history. And much easier to manage than the original 75 Years. If you have no intention of picking up the 75 Years of DC Comics book, then, yes!, please go ahead and purchase the Golden age book and the ones that will follow. BUT if you have the 75 Years, with its sheer size and quite a few illustrations that don't make it into the newer book...and more text...you're probably better off keeping the 75 Years edition and passing on the five volumes will follow. I don't see reasons of any significance to own both.

So, in summary:

PROS:
1. Reduced size and weight of new book makes it much easier to pick up and read.
2. About 120 additional illustrations.
3. Some pictures that were small in first book are larger now.
4. Cheaper to buy if you want only one or two volumes.
5. New Joe Kubert interview.

CONS:
1. Missing and reduced text.
2. Not 200+ pages of additional material; just same material rearranged and spread out over smaller-diminensioned book.
3. Some of the illustrations that have been increased in size are good but for the most weren't necessary.
4. Due to decreased page dimensions, some multi-panel illustrations have been reduced to one or two panels.
5. The approximately 120 additional illustrations are of less interest and add nothing.
6. Glossy pages denoting chapter beginnings have been eliminated and now use regular material.
7. Eliminated foldout time table pages.
7. As a set, the five volumes together will be more expensive than the 75 Years book.

So, to answer the question: should I double dip? The answer is no.

I love DC comics, and I have done so since I was about eight years old back in 1963 when I first discovered Superman, Batman, and the other four-color wonders. Whatever way you decide to go on this, whether it be the original 75 Years book, or the individual five volumes, you are in for a very wonderful history of the best comic book company ever.

21 of 23 people found the following review helpful.
Loved It Even Though I Essentially Already Owned It
By David Swan
Right after I ordered The Golden Age of DC Comics by Taschen I had a sudden fear. What if the book was nothing more than a reprinting of the Golden Age section from 75 Years of DC Comics: The Art Of Modern Mythmaking. Well, my fear was warranted and this indeed is the first section of a book I already own. Having said that I don't entirely regret buying this book. It does contain new material including an interview with Joe Kubert and many new images but everything written by Paul Leyritz is kept unaltered as far as I can tell. As much as I love this books much larger parent there is one big problem with 75 Years of DC Comics; it is simply unwieldy as reading material.

You don't just pull 75 Years of DC Comics off a shelf and peruse it. You have to make plans to read it. Unless you have ever seen and held the book it is nearly impossible to get a sense of its size. In 2004 Taschen put out a biography on Mohamed Ali and the XXL version weighed in at a staggering 75 pounds. It was not meant to be read. Although 75 Years of DC Comics isn't nearly that large the effort it takes to pull it out of its protective case and somehow either rest it on the floor or, God help you, lay it across your legs, is not insignificant. Good luck trying to just hold it in your hands. Golden Age of DC Comics is the portable, readable version of 75 Years and that alone may make it worth buying. 75 Years is like the collectable version to Golden Age's readable version.

The Golden Age of DC Comics is not for everyone. Casual comic readers or non DC fans will likely be quickly bored. The only story in the book is the story of DC comics. It's mostly images of comic covers and interior images, b/w photos of children reading comics, images of printing presses, famous and not so famous personalities from comics golden age, demonstrations of color separation in the four color image process. There are tons of quotes and short blurbs about DC accompanying the images but this is not a wordy book. You can fly through the 400 page book pretty quickly. The images are all beautiful although Taschen didn't exactly bust their budget on high quality comics as most of the comic covers shown here are probably about Fair condition. I absolutely love this book but I am precisely the target audience. I'll give it five stars despite essentially owning it already because it's just that cool.

6 of 6 people found the following review helpful.
A Gem with Dozens and Dozens of Visual Facets
By J. R. Trtek
This is a nice companion volume to the much larger (and more difficult to manage) 75 Years of DC Comics by Levitz. The book is almost exclusively visuals with captions, but what visuals they are, including not only artwork from DC's Golden Age, but also behind the scenes photos of production and distribution. There is an interview with Joe Kubert, but the main text is a long general but still illuminating essay by Levitz on the era. If you're looking for a detailed narrative history, be advised that this isn't it. The collage of images in this hefty book, however, give a number of snapshots which, collectively, give a distinctive portrait of DC from its beginnings to the mid-1950s. Highly recommended.

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• Published on: 2015-09-25
• Released on: 2015-09-25
• Format: Kindle eBook

Most helpful customer reviews

1 of 1 people found the following review helpful.
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0 of 0 people found the following review helpful.
It helps to prevent mistakes we do
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You need to have ' I can' attitude
Dress yourself and show the confidence towards girls.
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0 of 0 people found the following review helpful.
For men
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It about picking up women . Not what I expected.

See all 9 customer reviews...

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The shadow of war. A clash of brothers. A terrible sacrifice. In the face of powerful darkness, who will prevail?

The island of Seare is at war. The Red Druid is gathering strength and power to stand against Conor, Eoghan, and the brotherhood. But there is strife within the brotherhood as well. Eoghan still refuses to claim his rightful rule, and the resulting conflict creates an uncomfortable distance between him and Conor. When Conor leaves to find the key to defeating the Red Druid, Eoghan and Aine worry he will succumb to the danger. They set out on their own mission to defeat the Red Druid through Aine’s magical gifts.

But nothing―and no one―is as it seems.

• Sales Rank: #969140 in Books
• Brand: Tyndale House Publishers
• Published on: 2015-09-01
• Original language: English
• Number of items: 1
• Dimensions: 8.10" h x 1.20" w x 5.40" l, .85 pounds
• Binding: Paperback
• 448 pages

Most helpful customer reviews

3 of 3 people found the following review helpful.
Powerful but sad conclusion to trilogy
By J:-)mi
Conor followed Daigh at a near run, aware of Aine a step behind him. His thoughts bounced between the socking revelation Aine had just give him – he was going to be a father! – and his inability to comprehend how someone had breached the fortress. Who would dare? How was that even possible?

Book: The Sword And The Song by C. E. Laureano, NavPress, 2015
Genre: Speculative – Allegory
Target Audience: Boys and Girls 14+
Subjects: Trust in God, God’s Will, Prayer, Spiritual Gifts, Sacrifice, Fear
Summary: When a woman thought dead appears at Ard Dhaimhin one night claiming knowledge of another thought dead, one who may hold secrets they are in desperate need of, a chain of events is set off that will resolve the battle once and for all – in one way or another. Conor sets off on the journey to rescue the man they hope holds the secrets. Aine battles fear as the child within her grows and her time for birth draws near. Eoghan continues to wrestle his attraction to Aine and his uncertainty at being the high king. All desperately search for answers on how to defeat the evil druid before he conquers the rest of Seare, either through force of waiting for them to starve to death under siege.
Notes: The Sword And The Song is the third and final book in The Song Of Seare series. This fantasy/allegory style series sets up a kingdom that feels a bit like medieval times. There are kings and lords and castles. As with many fantasy/allegory books, there is a prophecy that one of the main characters seems to be the fulfillment of, but it’s a bit vague so that the scholars are unsure of exactly who it points to. There is an ultimate being, representing God, protectors like angels, special powers gifted to various individuals for the purpose of serving the ultimate being and helping the people. The good guys in the story live according to the teachings of the ultimate being, attempting to follow Him and trust Him even when it seems nearly impossible to do so. An interesting and somewhat unique element in this book is the existence of a community resembling a monastery, but that hosts thousands of men who are not only trained in the words of the ultimate being, but also in how to be master warriors. They spend their entire lives training in the skills required of a warrior. Yet they are completely separated from the rest of the world. Once they take the oath of brotherhood, they rarely leave, and in fact have to prove themselves in a test in order to be granted permission to leave. Yet they are a key to protecting the people from the evil that wants to infiltrate the land.
Book three of this series pushes the characters to the extreme, placing them in exactly the situations they feared the most. It asks them just how far they will go to defeat evil. Fear versus faith is a continuing theme as the characters have to trust Comidu for the victory they are seeking.
Spoiler Alert: Do NOT read this series if you want happily-ever-after endings. The author does not end the story on a happy note, but rather very tragic.
Spiritual Content Recommendation Scale: 5/5
Reviewer: J:-)mi

John 15:13 - Greater love has no one than this: that he lay down his life for his friends.

Thank you to the publishers for providing me with a free review copy of this book in exchange for my honest opinion.

0 of 0 people found the following review helpful.
You might love it. I didn’t.
By R. Sperling
If this had been a middle book in the series I might have been able to overlook my disappointment, but as the conclusion of a trilogy I have to say that I actually wish I hadn’t read it and had instead supplied my own conclusion. And it wasn’t the sad components that made me so let down by this novel. It was the characters themselves.

Generally in a series I expect to see hope dip and even die in the middle novel(s), but never in the conclusion. In The Sword and The Song, this third installment left us more and more aware of growing rifts between the characters and a general movement toward self-protection, isolation and unhealthy relationships. Good characters stop relying on the God who has equipped and enabled them with gifts and instead try to find their way forward by withdrawing from their gifts rather than calling upon the giver to sustain and shield them within their task.

And the most confusing to me was that the “good guys” start modeling the strategies of the evil characters. From the beginning of the series it’s been clear that the druid is out to destroy all the gifts and those who possess them, but we see how God continues to use the gifts in spite of their ability to be manipulated by evil. Then those with the gifts in flesh start trying to destroy another set of gifts, which are also from God, because they are being dangerously manipulated by evil. It’s as if they are willing to trust God with one set of gifts, but don’t trust that He can work victory within this other set of gifts, while they themselves use these gifts with little discrimination. I found the idea that the heroes would mimic a strategy of destruction distressing. And the ending…how do I tell you about it without spoilers?

It actually reminded me of Isaiah 26:17 where Israel moans that they had tried to birth a live baby and had just passed gas (brought forth wind); that their actions and efforts hadn’t accomplished the salvation that they had hoped for.

All that said, the writing style was as good as the first two books. It has a strong wow factor and is a creative, layered and stylistically well written book. And as much as I hated the dissonance that ran throughout this novel it was hard to put down, until the end when I seriously thought about pitching it across the room. What I really needed to redeem the story was some sort of a moving away from self-protection toward true fellowship restored (especially between Conner and Eoghan) and at least a strong hint of the kingdom come, particularly in a series that has been as heavily laced with hope and expectation as this one.

So that’s my two cents. You might love it. I didn’t.

0 of 0 people found the following review helpful.
The Sword and the Song
By Lelee
What's Inside:

The shadow of war. A clash of brothers. A terrible sacrifice. In the face of powerful darkness, who will prevail?

The island of Seare is at war. The Red Druid is gathering strength and power to stand against Conor, Eoghan, and the brotherhood. But there is strife within the brotherhood as well. Eoghan still refuses to claim his rightful rule, and the resulting conflict creates an uncomfortable distance between him and Conor. When Conor leaves to find the key to defeating the Red Druid, Eoghan and Aine worry he will succumb to the danger. They set out on their own mission to defeat the Red Druid through Aine’s magical gifts.

But nothing—and no one—is as it seems

Who Wrote It:

C.E. Laureano's love of fantasy began with a trip through a magical wardrobe, and she has never looked back. She's happiest when her day involves martial arts, swords, and a well-choreographed fight scene. When pressed, she'll admit to a love of theater, travel, and good food, which she attributes to her romance-writing alter ego, Carla Laureano.

Appropriately, she's the wife to a martial arts master and mom to two boys who spend most of their time jumping off things and finding objects to turn into light sabers. They live in Denver, Colorado with a menagerie of small pets.

My Thoughts:

There was so much I like about this book as well as so much that I didn't like. First of all let me say this I have read the other 2 books in this series. I did feel pretty much going into this book what to expect. At time I felt there was too much going on for me to really enjoy it. The action was awesome the love story was on point. I just feel that this book could have been a whole lot shorter to get the point across. In all I did like the book just not one of my favorites I love the first book in this series much better.

My Star Rating:

I give The Sword and the Song an overall 4 stars...

NOTE: I was given this book by Tyndale Publishing in exchange for my honest review

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• Sales Rank: #2890152 in Books
• Published on: 1994
• Binding: Paperback

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0 of 0 people found the following review helpful.
Three Stars
By Valene Porter
Had some marks in it but it was nice

0 of 0 people found the following review helpful.
Decent Book
By Barry H.
Nothing special

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The Fundamentals of Ethics - An Instructor's Impressions
By Amazon Customer
I'm a graduate student/teaching fellow, and use this book with my introductory ethics students in addition to several primary sources. In my experience it does a good job introducing students to various approaches to ethics. Dr. Shafer-Landau does a very nice job of presenting strong cases + criticisms for positions without ever seeming biased. This book does what most introductory texts seem incapable of: forcing students to stop fence-sitting and choose an approach they find most convincing. I particularly liked the chapters on ethical pluralism, since my students often want to pick several parts of different theories and put them together.

Some things this book does not do:

1) "Fundamentals" is not a book in applied ethics. Some ethical hot topics come up in different chapters such as Kant's positions on animal rights + criminal justice, but Dr. Shafer-Landau usually focuses on specific hypothetical examples. If you are looking for a book on these kind of topics, this isn't for you. (In my experience most of my students would rather discuss a specific case rather than a general ethical issue, so I don't consider this a liability, but do be warned.)
2) This is a topical introduction, not a historical one. That means you'll get a discussion on virtue ethics, but not necessarily an overview of Aristotle's (or Plato's, or MacIntyre's) virtue ethics. The one exception here is Kant; the introduction to his deontological thought is well-done and a real boon to my students. But even there, the parallels to specific discussions in Kant aren't clear. This works well as a stand-alone text to set the stage for primary sources, or as a brief introduction to ethics as a single unit in a general "Philosophy 101" course; but don't expect detailed exegeses of Kant, Mill, and Aristotle. (It's only 300-odd pages, after all!)
3) The organization of the book was not what I expected. Not a huge deal; the chapters can be read more or less out of order, so long as you keep the topic-pairs together. While it does a good job investigating questions of cultural relativism + religion vs. ethics, this is done at the end of the book. Usually, these are the questions I want to start with. The prolonged discussion of hedonism and preference-fulfillment was also organized a bit awkwardly and might have worked better if it was more integrated in with the other chapters on specific approaches to ethics.

I have quibbles on certain sections. Most notably, I think Kant has a better answer to the question of animal cruelty than Shafer-Landau gives him credit for. Even so, those quibbles are fewer and further between than with any other intro texts I've seen. This book works well, particularly in conjunction with primary sources to give students a "case study" on how each of these approaches can work in practice. (I use Political Philosophy: The Essential Texts or Moral Philosophy: A Reader, depending on how political I want to get that term.)

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• Sales Rank: #4949937 in Books
• Published on: 2008-07-21
• Binding: Paperback

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Is there a method to our madness when it comes to shopping? Hailed by the "San Francisco Chronicle" as "a Sherlock Holmes for retailers," author and research company CEO Paco Underhill answers with a definitive "yes" in this witty, eye-opening report on our ever-evolving consumer culture. "Why We Buy" is based on hard data gleaned from thousands of hours of field research -- in shopping malls, department stores, and supermarkets across America. With his team of sleuths tracking our every move, from sweater displays at the mall to the beverage cooler at the drugstore, Paco Underhill lays bare the struggle among merchants, marketers, and increasingly knowledgeable consumers for control.

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• Published on: 2012-10-17
• Released on: 2012-10-17
• Format: Kindle eBook

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This important text develops an institutional response to the core issues raised in public policy making and develops a distinct understanding of the role of institutions, not least in the study of environmental problems. It questions: how are conflicting interests shaped and taken into account in policy making? How should they be accounted for? What motivates the behaviour of firms and individuals, and how is it possible to change these motivations to produce the favoured common outcomes? The author addresses these questions by integrating elements from classical institutional economics, neoclassical economics, sociology and ecological economics. He argues that public policy in general, and environmental policy in particular, are best examined from an institutional perspective. In this way, the author presents a distinct and consistent alternative to standard neoclassical economics for students and scholars who are interested in an institutional understanding of environmental policy making. The book is written in a clear and accessible style with boxes and figures to help explain the issues and, as such, would be an ideal alternative or supplement to the standard environmental economics texts.

• Sales Rank: #2409455 in Books
• Published on: 2007-02-21
• Original language: English
• Dimensions: 8.75" h x 6.00" w x 1.00" l, 1.65 pounds
• Binding: Paperback
• 496 pages

Review
'Vatn has prepared a vast feast for his readers. Hopefully, this book will become one of the core textbooks both in institutional economics and in resource economics. As a political scientist, I can recommend it to social scientists more generally. I must confess, I enjoyed it all.' - Elinor Ostrom, Land Economics 'We have here an encompassing work of remarkable clarity and coherence demonstrating the enduring pertinence of classical institutional economics to the vexing issues of our time. While most of the illustrative examples come from the realm of environmental problems, the reach of this fine book goes far beyond this particular issue and informs how we ought to think about all aspects of public policy.' - Daniel W. Bromley, University of Wisconsin, Madison, US 'This is a superb book on institutional economics and environmental policy. Vatn has written the definitive exposition of the theory and policy approaches of modern institutional economics. It not only builds on the work of the best institutional economists, from Veblen to Bromley and Hodgson it also incorporates the extremely relevant and exciting research now being done in contemporary mainstream economics. With the demise of Walrasian economics and the current drive for the unification of the behavioral sciences, the time is ripe for institutional economics to once again become a dominant school of economic thought. Vatn's book shows the way.' - John Gowdy, Rensselaer Polytechnic Institute, US

About the Author
Arild Vatn, Professor of Environmental Sciences, Norwegian University of Life Sciences, Ås, Norway

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